Two years ago I had the privilege to show my books in the womb of the Fisher Rare Book Library at University of Toronto. It’s happening again on September 12, 2015 from 10 to 5 pm at 120 St. George Street in Toronto, Canada. For more info, click here.
Posted tagged ‘book design’
Planning is ongoing for future projects, and so is the play-time associated with the design of the titles. Here are three examples; which one do you like?
I’m thinking the above works, but it begs the question: what is so important about the big E.S. (other than it fits in the middle and end)
Not bad, again it looks cool, but comprehension is somewhat lacking. Then again, if you don’t know Ecclesiastes from the first 3 or 4 letters, there’s another comprehension problem. This model at least begs for a long, thin engraving on the reverse page, as you can see the spread is shaping out.And this works as well, in that at least the change in direction does not follow in a “mid-word” crossover, like crossword puzzles. It opens the option for an illustration in the white space, or some text play, or just white space!
For the 21st century edition of Joshua’s Family History, we decided to do a limited run off a high speed laser printer, and primarily in black and white, given the extreme cost of full colour digital printing.
The text was spooled into Adobe InDesign, composed in Garamond BE with titles in Centaur. I chose Garamond BE because it was quite readable, and came complete with old style figures and small capitals and titling figures. Designing a book is like building a house:you start at the foundation and work your way up to the roof. Likewise in a book, you begin with the style of the type, amending typographic issues, factoring in footnotes and superscript figures etc. In many cases special fonts, italics and old style figures can be fixed using mass Find/Replace. Before any work begins, style sheets are created so that if a style change is made in one part of the book, it will automatically change in all the other parts, saving a massive amount of work. Photos and illustrations were scanned at a high resolution, then edited in Photoshop for clarity, sharpness and to correct lightness and darkness issues that happen in the scanning process. The end goal is to have a book that possesses the qualities one expects from a professionally designed book, and I’m satisfied with the result, although, as always, I would do some things differently had I the chance.
The printed edition is $45 plus gst & shipping.
It was printed at Impression Printing in Smiths Falls, Ontario.
Bound at Smiths Falls Bookbinding.